【翰墨飘香迎国庆 书画名家颂中秋】世界名人录——陈福耀

陈福耀,1940年生于广东始兴人,原任羊城晚报报业集团主任编辑,61毕业于佛山艺专国画专业,后进修广州美院。国家一级美术师,美术作品经常参加省、市、全国及国际性大型美展,并获各种奖项,不少作品被国际友人、港澳台知名人士及国内美术馆、画院收藏。

1971年、1975年、1978年分别由广东人民出版社发行《中学生美术教材》,《小交通海生》、《西江潮》等教材书和连环画画册;

1975年、1978年由天津人民美术出版社出版发行《人物线描》1、2集;

1985年由岭南美术出版社发行《陈福耀作品选》(国画册);

2010年与中国美术家协会主席刘大为、中国书法家协会荣誉主席沈鹏联袂出版了《艺术大师三人行》,该书由中国文史出版社出版,全国新华书店发行;

2013年作品入编由广东省委、省政府编制,中国大百科全书发行《广东百科全书》,并特聘为该书顾问之一;同年书法作品“神州载福耀四方”被中国艺术飞天奖评委会评为“中国艺术飞天奖终身成就奖”,并被评为中国航天文化艺术中心终身艺术顾问;

2016年由中国文化部人才交流中心策划,中国文联出版社出版,《翰墨缘深》—刘大为、陈福耀作品集;

2019年8月被广东省道和德慈善基金会聘任为基金会名誉主席;同年10月6日,代表广东省书画界入选中国书画家联谊会新文艺群体工作委员会《奋进新时代新文艺群体书画家名人录集》,同年12月被受邀登入《中国书画家报》2020年首刊新春大拜年栏目;

Chen Fuyao, born in Shixing, Guangdong in 1940, was the chief editor of Yangcheng Evening News Group. He graduated from Foshan Art College with a major in Chinese painting, and then studied at Guangzhou Academy of Fine Arts. National first-class artists and artistic works often participate in provincial, municipal, national and international large-scale art exhibitions, and have won various awards. Many works have been collected by international friends, celebrities from Hong Kong, Macao and Taiwan, and domestic art galleries and painting academies. In 1971, 1975, and 1978, Guangdong People's Publishing House issued teaching materials and comic books such as "Art Textbooks for Middle School Students", "Small Traffic and Marine Life", and "Xijiang Tide"; In 1975 and 1978, Tianjin People's Fine Arts Publishing House published 1 and 2 episodes of "Character Line Drawing"; In 1985, Lingnan Fine Arts Publishing House published Selected Works of Chen Fuyao (National Album); In 2010, Liu Dawei, Chairman of the Chinese Artists Association, and Shen Peng, Honorary Chairman of the Chinese Calligraphers Association, jointly published the "Three Masters of Art", which was published by China Literature and History Publishing House and distributed by Xinhua Bookstore nationwide; In 2013, the work was compiled by the Guangdong Provincial Party Committee and the provincial government. The Encyclopedia of China issued the "Guangdong Encyclopedia" and was specially appointed as one of the consultants of the book; In the same year, the calligraphy work "Shenzhou Carrying Fu Yao Quartet" was awarded the "Lifetime Achievement Award of China Art Flying Award" by the jury of China Art Flying Award, and was awarded the Lifetime Art Consultant of China Aerospace Culture and Art Center; In 2016, it was planned by the Talent Exchange Center of the Ministry of Culture of China and published by the China Federation of Literary and Art Circles Publishing House. "Han Mo Yuan Shen"-a collection of works by Liu Dawei and Chen Fuyao; In August 2019, he was appointed as the honorary chairman of the foundation by Guangdong Daohede Charity Foundation; On October 6, the same year, on behalf of the painting and calligraphy circles in Guangdong Province, he was selected into the New Literature and Art Group Working Committee of the Chinese Calligraphers Association, "Who's Who of the New Era and New Literature and Art Group". In December of the same year, he was invited to log in to the "Chinese Calligraphers Newspaper" in 2020. The first issue of the New Year's Eve column;

陈福耀先生是个极具责任感和使命感的艺术家。他不仅将自己绘画的视角伸向具有历史意义、社会意义、人性意义的题材,同时,他对书画艺术本身的探索也表明了他的书画使命感。他的书画作品,抒发蕴积胸中的情感,形之于笔墨,自然平淡,毫无雕刻凿空之气。以自然世界的生命气象作为表现主题的内在构思,蕴涵文化思考与人生的体验,在意象的摄取中,运笔和写景中富有层次变化,以激情的状态,情感的表露,关切自然,呈现出被生命意识包涵与容纳的主体景观,并以内在情境的延伸与拓展,表现出一个肃重内敛、宁静淡泊的精神世界。

Mr Chen Fuyao is an artist with great sense of responsibility and mission. He not only extended his painting perspective to themes with historical, social and human significance, but also showed his sense of mission in painting and calligraphy by exploring the art of painting and calligraphy itself. His paintings and calligraphy works express the emotions accumulated in his chest, which are shaped by pen and ink, and are naturally dull, without carving and hollowing out. The inner conception of taking the life weather in the natural world as the theme of expression contains cultural thinking and life experience. In the process of image intake, there are various levels of changes in brushwork and landscape writing. With passion, emotional expression and concern for nature, it presents the main landscape that is contained and accommodated by life consciousness, and shows a spiritual world that is restrained, quiet and indifferent with the extension and expansion of the inner situation.

陈福耀作品

中国书画是具有独特的历史价值、丰富的文化内涵、深厚的笔墨功力和人文情怀的艺术品,在中国历代美术史上,提出了判定当代书画价值的四个标准——历史传承、个人风格、学术性与社会责任感。若以此标准来衡量当代中国艺坛,陈福耀先生无疑是同时满足四项标准的艺术家之一。纵观当代收藏市场,陈福耀先生的作品艺术价值主要体现在以下几个方面:

Chinese painting and calligraphy are works of art with unique historical value, rich cultural connotation, profound pen and ink skills and humanistic feelings. In the history of Chinese art, four criteria for judging the value of contemporary painting and calligraphy are put forward-historical inheritance, personal style, academic and social responsibility. If we use this standard to measure contemporary Chinese art circles, Mr. Chen Fuyao is undoubtedly one of the artists who meet the four standards at the same time. Looking at the contemporary collection market, the artistic value of Mr. Chen Fuyao's works is mainly reflected in the following aspects:

《秋韵》

历史传承

书画讲究笔墨,讲究传统书法用笔,陈福耀先生是一位艺术底蕴深厚、文化素养丰富,诗情与画意融会贯通的艺术家。在几十年艺术创作过程中,注重传统,融古汇今,从岭南画派的代表人物黎雄才、关山月再到黄宾虹、蒋兆和、叶浅予、黄胄等历代名家当中汲取丰富的艺术精髓。他继承了岭南画派浓郁的地域特色和强烈的艺术风格,以意赋形,情境交融,疏淡清逸,又不失灵动!显示出挥洒自如的笔墨功力,集中体现了传统绘画“形神兼备”创作观念的代表性艺术。正是这种文人画的雄强浑厚、古雅从容的形式,构出意境而表达中国书画的诗性。我们知道,中国书画以其笔墨的自由度、和客观物态的意象表现着深厚的文化底蕴!让观者在欣赏过程中,可以从品味作者的笔墨技巧及倾注在笔端的人文境界。因此对笔墨自身所包含的技、艺、道有着很高的要求。

Historical inheritance Painting and calligraphy pay attention to pen and ink, and pay attention to traditional calligraphy pen. Mr. Chen Fuyao is an artist with profound artistic background, rich cultural accomplishment, and a combination of poetry and painting. In the process of artistic creation for decades, we pay attention to tradition, integrate the past into the present, and draw rich artistic essence from the representatives of Lingnan School of Painting, such as Li Xiongcai and Guan Shanyue, and then to famous artists such as Huang Binhong, Jiang Zhaohe, Ye Qianyu and Huang Zhou. He inherited the rich regional characteristics and strong artistic style of Lingnan School of Painting, which is shaped by meaning, blended with situations, relaxed and relaxed, and yet smart! It shows the skill of writing and writing freely, and embodies the representative art of the creative concept of "both form and spirit" in traditional painting. It is this vigorous, elegant and calm form of literati painting that constructs artistic conception and expresses the poetic nature of Chinese painting and calligraphy. As we know, Chinese painting and calligraphy shows profound cultural heritage with its freedom of pen and ink and the image of objective state! In the process of appreciation, the viewer can taste the author's pen and ink skills and pour into the humanistic realm of the pen. Therefore, there is a high demand for the skill, art and morality contained in pen and ink.

《潺潺流水》

学术性

陈福耀先生的画中层次丰富,意境高远,不管是人物画还是田园风光都强调了笔墨气韵,使得中庸、雄浑、超逸之气就成为他艺术作品中所要表达与弘扬的精神主体。用笔墨的语言体现个人情感精神,挥洒而不失法度,从他的创作中可以看出他所追求的意出天然,笔动生趣的意蕴;体现出人文精神的书卷之气。因此,他积极探索中国历代书画大师的绘画技巧,深入研究领悟他们的笔墨语言,探求中国书画传统艺术的特点;用自己擅长的抒情方式,构建自己特有的笔墨形式。以鲜明的个人风格和艺术语言,创作出具有书写性、韵律性、诗性的中国书画作品。

Academic nature Mr. Chen Fuyao's paintings are rich in levels and lofty in artistic conception. Both figure paintings and pastoral scenery emphasize the charm of pen and ink, which makes the spirit of moderation, boldness and transcendence become the spiritual subject to be expressed and carried forward in his artistic works. The language of pen and ink reflects the personal emotional spirit, and it can be seen from his creation that he pursues the meaning of expressing nature and making pen interesting; The spirit of a book that embodies the humanistic spirit. Therefore, he actively explored the painting skills of Chinese painting and calligraphy masters in previous dynasties, deeply studied and understood their pen and ink language, and explored the characteristics of traditional Chinese painting and calligraphy art; Use the lyrical way that you are good at, and build your own unique pen and ink form. With distinct personal style and artistic language, we can create Chinese painting and calligraphy works with writing, rhythm and poetry.

《春晖盈大地,正气满乾坤》

个人风格:

就绘画而言,笔墨的灵魂是画家自身灵魂的真实折射。他的国画山水、人物,包括连环画、书法,都融会了蕴积胸中的情感,形之于笔墨,自然平淡,毫无雕凿之气。以自然世界的生命气象作为表现主题的内在构思,蕴涵文化的思考与人生的体验,在意象的摄取中,运笔和写景中富有层次变化,以激情的状态,情感的表露,关切自然,呈现出被生命意识包涵与容纳的主体景观,并以内在情境的延伸与拓展,表现出一个肃重内敛、宁静淡泊的精神世界。陈福耀先生是在传统的基础上、在笔墨上、在布局结构上,有着自己认识与创新,他的画在书法线条探索上,又强化了作品的空间感及光影色彩的运用,增强了作品的艺术感染力,以率真的情感营造天然的情景,让欣赏者从一个个侧面领略到书画所具有的独特魅力。

Personal style: As far as painting is concerned, the soul of pen and ink is the true reflection of the artist's own soul. His traditional Chinese paintings, landscapes and characters, including comic strips and calligraphy, all integrate the emotions accumulated in his chest, which are shaped by pen and ink, and are naturally dull and devoid of carving. The inner conception of taking the life weather in the natural world as the theme of expression contains cultural thinking and life experience. In the process of image intake, there are various levels of changes in writing and writing. With passion, emotional expression and concern for nature, it presents the main landscape that is contained and accommodated by life consciousness, and with the extension and expansion of the inner situation, it shows a spiritual world that is restrained, quiet and indifferent. Mr. Chen Fuyao has his own understanding and innovation on the basis of tradition, pen and ink, and layout structure. In the exploration of calligraphy lines, his paintings have strengthened the sense of space and the use of light and shadow colors, enhanced the artistic appeal of his works, and created a natural scene with sincere emotions, allowing the viewer to appreciate the unique charm of calligraphy and painting from one side to another.

注释:《放》此作品于80年代改革开放时创作的,在视觉上,是表现一位农民在湖上放养一群鸭子的情景。内涵是反映党的改革开放政策给农民发展家庭副业种养的活力,改革开放前每户只能养7只鸡、或鸭、或鹅,多了就割资本主义尾巴。用双关语表达深层内涵。

Note: Fang was created during the reform and opening up in 1980s. Visually, it shows a farmer stocking a flock of ducks on the lake. The connotation reflects the vitality of the Party's reform and opening-up policy for farmers to develop household sideline farming. Before the reform and opening-up, each household could only raise 7 chickens, ducks or geese, and cut off the tail of capitalism if there were more. Express deep connotation with puns.

注释:《回归》在视觉上表现一位少数民族姑娘在集市回家途中看一本“香港基本法”,内涵是反映各族人民关心国家大事—香港回归,此作应邀参加武汉书画院在香港举办的“香港97回归”大型美展,后被武汉画院收藏。

意境是人物画的灵魂,是传统美学中的一个重要范畴。通过作者的笔墨表达思想情感和主观意念,因而要求画家具备扎实的笔墨功夫和熟练的绘画技巧,同时要有深厚的文学修养和丰富的生活阅历,全身心地投入到艺术中去。陈福耀先生将绘画的自然灵性与内心世界所要表达的情感交汇出理想的色调,使画面既充实又不失空灵,既厚重又不失生动。他通过这些情感特质提炼出高雅而深远的意境,让人们看到的是充满温情的平和景象。观陈福耀先生的作品,不仅被他的开拓、继承精神所感动,更被他画中所表现的丰富内涵、真情实感所震撼。通过作品可以看出陈福耀在主题的创作上寻找丰富的意蕴,尤其是双关语的创意。比如作品《放》在视觉上,表现一个农民在湖里放鸭子的情景,但实际背后深刻的内涵,则喻为改革开放给人们生活带来的改变,该作品被中国美术馆收藏。而《回归》在视觉上直接表现为,一个少数民族姑娘在回家途中聚精会神读一本香港回归法的书。实际内涵则反映着民族之间的关爱,人们关心香港回归,国家大事。陈福耀先生的这些作品笔墨变化灵巧,形式丰富多彩,在创作时注重笔墨的运用,力求把传统的感悟与真情的流露自然的结合起来,让欣赏者捉取到一种大气、深沉的意境。创作出艺术之美的同时,把视野中的自然之美转换成内心世界充满诗意的灵动画面,加上笔法与墨法的相互融合,最终带给作品的是画面与心境的完美结合。

社会责任感:

作为一个关注现实、关注历史、关注社会的艺术家,陈福耀具有一种难能可贵的社会责任感。这种社会责任感促使他在题材的选择上具有明确的指向性,他用作品来思考,思考自己对社会、对民族、乃至对人本身的责任;他用作品来阐释,阐释自己对历史、对现在、乃至对未来的理解。陈福耀用自己的不同绘画语言,表达着对历史、对社会的不同看法。这些直观形象的绘画叙述方式使得他的作品具有极强的吸引力;而这种异乎寻常的吸引力又激发起观者的联想,从而诱使他们从画面引发出去,去思考社会背后所蕴含的深刻意义。

Note: "Return" visually shows a minority girl reading a copy of "Hong Kong Basic Law" on her way home from the market. The connotation is to reflect that people of all ethnic groups care about the national affairs-Hong Kong's return. This work was invited to participate in the "Hong Kong 97 Return" large-scale art exhibition held by Wuhan Painting and Calligraphy Institute in Hong Kong, and was later collected by Wuhan Painting Institute. Artistic conception is the soul of figure painting and an important category in traditional aesthetics. Expressing thoughts, emotions and subjective ideas through the author's pen and ink requires the painter to have solid pen and ink skills and skilled painting skills, as well as profound literary accomplishment and rich life experience, and devote himself to art. Mr. Chen Fuyao combines the natural spirituality of painting with the emotion to be expressed in the inner world to form an ideal color tone, which makes the picture both full and ethereal, thick and vivid. Through these emotional characteristics, he refined elegant and far-reaching artistic conception, which made people see a peaceful scene full of warmth. Looking at Mr. Chen Fuyao's works, he was not only moved by his pioneering and inheriting spirit, but also shocked by the rich connotation and true feelings expressed in his paintings. Through the works, it can be seen that Chen Fuyao seeks rich connotations in the creation of themes, especially the creativity of puns. For example, the work "Fang", which is collected by the National Art Museum of China, visually shows a farmer putting ducks in a lake, but the profound connotation behind it is the change of people's life brought by reform and opening up. The visual manifestation of Return is that a minority girl is absorbed in reading a book on Hong Kong's Return Law on her way home. The actual connotation reflects the love among ethnic groups, and people care about Hong Kong's return and national affairs. Mr. Chen Fuyao's works have smart changes in pen and ink, rich and colorful forms, and pay attention to the use of pen and ink in his creation, and strive to combine the traditional sentiment with the true feelings naturally, so that the appreciators can catch an atmosphere and deep artistic conception. While creating artistic beauty, the natural beauty in the field of vision is transformed into a poetic and clever picture in the inner world. In addition, the combination of brushwork and ink brings the perfect combination of picture and mood. Social responsibility: As an artist who pays attention to reality, history and society, Chen Fuyao has a valuable sense of social responsibility. This sense of social responsibility urges him to have a clear directionality in the choice of subject matter. He uses his works to think about his responsibility to society, nation and even people themselves; He used his works to explain his understanding of history, present and even future. Chen Fuyao expressed his different views on history and society with his different painting languages. These intuitive painting narratives make his works very attractive; This unusual attraction stimulates the association of the viewer, thus inducing them to think about the profound meaning behind the society.

《江山如画》

《鹤的天堂》

市场价值:

优秀的书画作品一般能很好地展示社会风貌、人文情怀,因而也就具备了它的历史定位和社会价值。书画作品最基本的价值是其本身所具有的文化内涵,包括艺术价值、历史价值和审美价值,并由其所体现出来的艺术传承、历史变迁和审美体验。这是一种初现于书画的本体价值,它是通过对艺术创作的研习、对自然美的发现、对艺术理念的钻研、对传统文化的汲取以及对表达语言的探索、对相关技艺的磨练而创造出来的。陈福耀先生其作品所独具的历史传承、艺术革新和时代文化,将进一步被认识。从他精美绝伦渗透着深厚书法功底的绘画作品和充满线条形式美的书法佳作中,可以领略到陈福耀先生内心热烈奔放的情感个性以及独有的艺术魅力。

Market value: Excellent paintings and calligraphy works can generally show social features and humanistic feelings well, so they have their historical position and social value. The most basic value of painting and calligraphy works is its own cultural connotation, including artistic value, historical value and aesthetic value, and its artistic inheritance, historical change and aesthetic experience. This is a kind of noumenon value that first appeared in calligraphy and painting. It was created by studying artistic creation, discovering natural beauty, studying artistic concept, absorbing traditional culture, exploring expression language and honing related skills. Mr. Chen Fuyao's unique historical heritage, artistic innovation and contemporary culture in his works will be further recognized. From his exquisite paintings with profound calligraphy skills and excellent calligraphy works full of beautiful lines and forms, we can appreciate Mr. Chen Fuyao's passionate emotional personality and unique artistic charm.

艺术永远是相承相续的传统的发展与再造,现代中国书画笔墨只有在尊重中国书画艺术本质的前提下,才可以谈到发展、继承与变革。这需要我们对传统的中国画语言形态和结构进行重建。把传统的笔墨语言投射到现在的层面,使之具有现代性,以中国书画写意语言形式充分地表现现代意识和精神内容,使形式和内容在更高的基础上达到统一,而这些在陈福耀先生的书画作品中都体现了出来,其市场前景可观。

Art is always the development and re-creation of tradition. Only on the premise of respecting the essence of Chinese painting and calligraphy art can we talk about development, inheritance and change. This requires us to reconstruct the language form and structure of traditional Chinese painting. The traditional pen and ink language is projected to the present level, making it modern, fully expressing the modern consciousness and spiritual content in the freehand language form of Chinese painting and calligraphy, and unifying the form and content on a higher basis, which are reflected in Mr. Chen Fuyao's paintings and calligraphy works, and their market prospects are considerable.

陈福耀作品

在书画艺术上陈福耀先生取法传统,以经典为师,融合百家,创造了实用性与艺术性的完美结合,起着承上启下、开启创新等积极作用。他的文人幽深意境的绘画、绝美的书法艺术和文化品格得以淋漓尽致地体现。可以说,陈福耀先生是当代传统文化的集大成者,为当代书画艺术的发展奠定了坚实的基础。推动中国书画传承创新做出了不可磨灭的功绩,做出了很大的贡献,取得了卓越的艺术成就。

In the art of painting and calligraphy, Mr. Chen Fuyao took the tradition of law, took the classics as his teacher, integrated hundreds of schools, created a perfect combination of practicality and artistry, and played an active role in connecting the preceding with the following and initiating innovation. His literati paintings with deep artistic conception, beautiful calligraphy art and cultural character are vividly reflected. It can be said that Mr. Chen Fuyao is a master of contemporary traditional culture and has laid a solid foundation for the development of contemporary painting and calligraphy art. Promoting the inheritance and innovation of Chinese painting and calligraphy has made indelible achievements, made great contributions and achieved outstanding artistic achievements.

《母爱》 《聚神》

创意园艺中国心

在艺术、设计方面涉猎颇广的陈福耀先生在移居海外后,心系故土、总眷恋家乡的强烈情感。在一个新的国度里,不同的文化背景和生活方式更让他们思念生他养他的故国。为寻找一种文化认同,他们常常在中国博大深远的文化精髓中,寻找回家的感觉,万里情缘一线牵,移居加拿大的陈福耀就在园艺创作上找到了祖国情回家的路。

Creative gardening in China Mr. Chen Fuyao, who has been involved in art and design extensively, has been deeply attached to his hometown after moving overseas. In a new country, different cultural backgrounds and lifestyles make them miss the old country where they gave birth to him and raised him. In order to find a kind of cultural identity, they often look for the feeling of going home in the broad and far-reaching cultural essence of China. Chen Fuyao, who moved to Canada, found a way to go home in gardening.

《小桥流水人家》

书法造诣:

一幅优秀的书法作品,不但要求具有使人眼睛一亮的外在的形态结构,在表现形式上,讲究点画丰富而精妙的变化,美在线条鲜活而灵动的神韵,美在架构端庄而大方的气势,美在布局严谨而精深的法度。陈福耀先生在书法理论与实践上成果颇丰,不仅体现了中国人的文化,同时也体现了中国人的精神。他的书法在书写形式上,不论屏条、中堂、对联还是章法都在驾轻就熟之中。他所有的书法作品中都承载着厚重的中国传统文化内涵,弥漫着浓郁的书卷气。书法既继承传统,又彰显时代特征,厚重端庄,洒脱奔放,彰显出跳动的时代脉搏,释放着自我、自信、自由的艺术家情怀。陈福耀的书作中既有欧阳询楷书的笔力遒劲、融生典雅、遒劲笔意的运笔,又得王铎的洒脱、雄劲、还蕴含二王的结体奇崛、连绵不绝之神韵,其中的雅气自然流露。彰显“意境”、“意趣”、“意蕴”的书法艺术特点。极具正大气象。

Calligraphy attainments: An excellent calligraphy work not only requires an external morphological structure that makes people shine, but also pays attention to the rich and exquisite changes of stippling in the form of expression. The beauty lies in the vivid and clever charm of the lines, the dignified and generous momentum of the structure, and the rigorous and profound laws of the layout. Chen Fuyao has made great achievements in calligraphy theory and practice, which not only embodies the Chinese culture, but also embodies the Chinese spirit. His calligraphy in writing forms, whether screen bars, nave, couplets or composition, is at ease. All his calligraphy works bear heavy Chinese traditional cultural connotations and are full of bookishness. Calligraphy not only inherits the tradition, but also shows the characteristics of the times. It is heavy and dignified, free and unrestrained, showing the beating pulse of the times and releasing the artist's feelings of self-confidence and freedom. Chen Fuyao's works not only have the strong brushwork of Ou Yangxun regular script, blending elegance and strong brushwork, but also have Wang Duo's free and easy, vigorous, and also contain the strange and endless charm of the two kings, in which the elegance is naturally revealed. Showing the artistic features of calligraphy: "artistic conception", "interest" and "implication". Very decent weather.

《中国精神》

纽约时间2019年2月6日,中国当代艺术家、国家一级美术师陈福耀先生的作品“福”及他的东方艺术家形象亮丽地展示在纽约时代广场的大屏幕上,为纽约带来了来自东方的艺术之光,吸引着成千上万的目光驻足在纳斯达克屏幕上,这是中国当代艺术家的荣耀,属于艺术家陈福耀的骄傲。

本次展览恰逢春节期间的大年初二,我们选择了陈福耀老师创作的福字进行展播。佛教认为积善可得福报,福田、福柄、福神、福善,从而赐福给为善的人,陈福耀老师创作的“福”字灵感来于此,祝愿全球华人幸福常在,福寿无疆,该幅作品已被中国国家博物馆收藏。国外媒体对中国当代艺术家、国家一级美术师陈福耀的作品也是赞赏有加纷纷报道。

On February 6th, 2019, new york time, Chinese contemporary artist and national first-class artist Chen Fuyao's work "Fu" and his oriental artist image were displayed on the big screen of Times Square in new york, bringing art light from the East to new york and attracting thousands of eyes to stop on the Nasdaq screen. This is the glory of Chinese contemporary artists and the pride of artist Chen Fuyao. This exhibition coincides with the New Year's Day during the Spring Festival, and we chose the Fu characters created by Teacher Chen Fuyao to show and broadcast. Buddhism believes that accumulating good deeds can be rewarded with blessings, such as Futian, Fushi, Fushen and Fushan, thus blessing those who are good deeds. The word "Fu" created by Teacher Chen Fuyao is inspired here, wishing Chinese people all over the world happiness and longevity. This work has been collected by the National Museum of China. Foreign media also praised and reported the works of Chen Fuyao, a contemporary Chinese artist and national first-class artist.

陈福耀作品

陈福耀作品

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